With July coming to a close and August ready to begin, I’ve made a few upgrades to the Woolaston Entertainment site. With my mother and fellow author, June E. Parris … Continue reading Upgrades!
With July coming to a close and August ready to begin, I’ve made a few upgrades to the Woolaston Entertainment site. With my mother and fellow author, June E. Parris … Continue reading Upgrades!
If you’re an avid reader, writer or publisher, chances are, you have or are currently using the resources at your local public library. However, if you’ve never visited your local library…ain’t no time like the present! Come on! Get in there! Free books and internet access? Are you kidding me ? I’m pro-library, and not because I have worked at two of them. Public libraries are a must. For writers and publishers, they are a great way to introduce your books to new readers. I’m not just a patron of the library, I’m in the library. Literally.
There is at least one Woolaston Entertainment book available in the following public library systems:
Queens Public Library in New York
Norfolk Public Library in Virginia
Newport News Public Library in Virginia
Hampton Public Library in Virginia
Patagonia Public Library in Arizona
As I continue to publish, I hope to extend my reach to other library systems (although Arizona is a pretty good stretch from New York and Virginia!). If you’re a published author (self-published or otherwise) I highly recommend working with your local public library and adding your work to their collection. It’s a great way to introduce yourself to the public and gain some new readers.
I once read a short story, which took place in the 1960’s. There was a scene in which a character pulled out a cell phone and made a call…which is odd, considering the first mobile phone didn’t come out until 1973. This character was not a time traveler, which simply means, the writer didn’t do enough research before writing their story.
How much research and planning do you do, before writing your story or book? Some work requires only a little research. Others, require extensive research.
When I wrote the first book in the Valentine series, I used a road map. Yes, an actual road map. In the story, Val Entienne drives from Chicago to L.A. to find her father, and I wanted her to use route 66. I also wanted to make sure I had her drive through states route 66 passed through. To some readers, this probably wouldn’t matter. To an anal-retentive like me, it matters, and I’ll give you an example of why.
I’m a New Yorker, and if you’ve been watching films or television shows for the past thirty years or more, you’ve noticed how many films and shows are recorded in New York. Take Law and Order, for example. I can watch an episode, and recognize a landmark or a street, because the show takes place in New York. While watching a scene in John Wick: Chapter Two, I thought, “I know The Continnental isn’t real, but I can tell from surrounding landmarks where its supposed to be located”. Little details like that can make a huge difference. So, if I’m reading a story, and a character says they’ll meet another character in Chelsea, on 125th Street in New York, I know that’s a mistake. 125th Street is in Harlem, not Chelsea.
I can’t afford a slip-up such as having a character appear to be too young during a particular arc of the storyline.
I’m working on a series thats a prequel to Valentine, and one key detail I needed to focus on, are the characters’ ages. I ended up making a chart of how old certain characters were in the Valentine series, so I could calculate how old they should be in the prequel, Lucia and the Saints, should I need to use them.

Val Entienne is 19 when the Valentine series begins, but she’s only 3 during Lucia, so there’s a good chance she won’t be mentioned in the prequel. Again, this may not matter to some readers, but for those who are paying attention, I can’t afford a slip-up such as having a character appear to be too young during a particular arc of the storyline.
Careful planning went into Our Lady of Righteous Rage’s Righteous, too. In this book, the band goes on their first national tour, via an R.V.. I calculated the amount of hours it would take to drive from city to city, to make the story more accurate. For instance, it takes at least two hours to drive from New York to Philadelphia. Anything less than that, would be incorrect.
I also keep a list of fake birthdays for my characters, so I can have them age appropriately, as the story progresses. If a character starts out as a fourteen year old, and the story takes place across six years, by the end they should be twenty. If they’re only seventeen by the end of story, there’s a problem. This became very important in the Our Lady series, which begins in the 1990’s and goes from there.
If you decide to use certain landmarks in your story, such as stores or restaurants, and you’re focusing on a particular time frame, you may want to make sure those landmarks still exist, or existed during the time in which your story takes place. I wanted to use the famous CBGB in Our Lady, but the time within the story I wanted to use it, wouldn’t have worked, since CBGB closed in 2006.
Just a little food for thought.
Hello, dear readers! Wonderful news: today I released the first volume of my novella series, Lucia and the Saints, on Amazon! Its an ebook, and its only 99 cents. Volume Two … Continue reading Lucia and the Saints: Volume One
Hello! This month on my website, Woolaston Entertainment, I’m focusing on ebooks, both current and upcoming. The first book in my new series, Lucia and the Saints, should be available either July 6 or July 7, and I plan to release a new volume every week this month. Until then, here’s a sample of the first chapter of the first book. Enjoy!
Chapter One
Lucia Calderon
“What you must first understand, is that nothing lasts forever. None of us are immortal, and every relationship must eventually end. We are given one life that we can be certain of, and we must do the best we can with that one life.”
They stood before her; these twelve girls from all walks of life, like disciples receiving the Word. They stood in a huddle on the front lawn of the place they now called home: a sprawling New Orleans mansion. It had taken two and a half weeks to make the place livable, but working in shifts, they had managed to get the work done. The mansion had been a dilapidated mess at first sight: broken windows, peeling paint, weeds growing up the outer walls, and a lawn that was in need of serious care. And that was only the outside. Inside, there were walls that needed to be cleaned and/or painted, broken furniture that needed to be removed, floors that needed to be swept and mopped, and so on and so on. Twelve young women and the fearless leader, had rolled up their sleeves and worked together, and completely remodeled the house. The outside was painted beige with white shutters on either side of every window. Southern magnolias lined the pathway that led to the front door. The front door, was painted white, and the old doorknob was replaced with a solid brass knob, and partnered with four locks. Inside, the marble floor was cleaned and polished, and a large, round wooden table was in the center, taking up some of the space between the double staircase. Upstairs, were fifteen bedrooms, with only thirteen in use. The kitchen had all new stainless steel appliances, and marble countertops. The cabinets were white with gold knobs. The island in the center held the massive sink, with plenty of room to spare.
The local hardware and furniture stores had become accustomed to seeing them. When they weren’t picking up more paint and tools, they were picking out furniture. The grocery stores knew them, too. Their refrigerator was the last item to arrive for the house, so they didn’t have a place to keep food. Instead, they found themselves heading to the store every day, picking up items that had to be eaten the same day.
A delivery truck slowly made its way up the long driveway, towards the front of the house. The twelve girls stepped aside and watched it as it pulled up, and two men in gray coveralls climbed out. One of them was holding a clipboard, with several sheets of paper attached to it. He looked around at all of the female faces. “Lucia Calderon?”
The woman who had addressed the crowd only moments ago, stepped down from the front porch. “I’m Lucia,” she said, brushing away a lock of long brown hair that had fallen across her face. “Do you have my Fleur de Lis?”
The man with the clipboard smiled at her and nodded. “I’ve got it right here in the truck,” he said. “I just need you to sign for it.” He handed her the clipboard and a pen, and watched as she signed her name at the bottom of the top sheet of paper. She handed it back to him, and he tore off the sheet underneath, and handed it to her. The other man walked around to the rear of the truck and opened the double-doors. The girls watched in silent awe, as the two men worked together to pull an extremely large box, out of the truck, and set it upon the ground. They open the top, and began to pull away the sides of the box, revealing it’s precious cargo. It was a large Fleur de Lis, carved out of mahogany. “Here it is,” the first man said proudly, as though he had carved the symbol himself. “Five feet tall, four and a half feet wide, and solid mahogany. It was coated with a special waterproof seal, just like you asked. Where do you want it?”
Lucia turned towards the porch, and pointed to a space just beyond the steps. “Right there, if you would,” she said. The men nodded, and carefully lifted the carving, and carried it up the short flight of steps, placing it where their customer had requested. There were little sighs of admiration from the twelve girls. The men shook Lucia’s hand, gathered the sides of the box, and departed.
“It’s really amazing,” one of the girls said. “Isn’t it?”
“The picture online didn’t do it any justice,” Lucia said. “But, here it is, on our front porch. Our new symbol. From now on, ladies, we’re not just a group of women sharing a house. We’re going to help people, as best we can. From now on, we are The Saints.”
End of Preview
When I originally sat down to write the very first Valentine book, I never intended for the story to develop into a series, much less a series with five books and a spin-off series. And I never expected to created so many different characters within these books. But, here we are: nine books so far, with at least 24 different characters (and there are more books and more characters to come!). With a series as complex as Valentine, sometimes you wonder about the very beginning of the story, and often, this beginning isn’t found within the first book. While readers met Val Entienne when she was about to embark upon a dangerous journey to California to save her father, the story of Val, John Rafferty and the Syndicate itself, goes back much much further. It all begins with a woman named Lucia Milazzo.
So, who is Lucia and why is she so important? When I release the first book in my next series, Lucia and the Saints, readers are going to quickly discover, the very paths of the lives of every character in the Valentine and Valentine Apart series, can be traced back to her in some way. In fact, you can probably play a simple game of “Six Degrees of Separation” with Lucia and the other characters. Her most important connection, however, will be to John Rafferty.
A woman made you, and someday a woman will unmake you–Lucia Milazzo
Once you meet Lucia, keep an eye on her. Everything within the Syndicate exists because of her.
I’m releasing book one of Lucia and the Saints next month. Stay tuned!
Once upon a time, a pair of college students decided they wanted to make some money. What did they do? Sell baked goods? Work in a grocery store? No! They … Continue reading Anatomy of “Her Name is Lola Vencent”
You would expect a story about a brother and sister pair who work as hitmen to be rather serious, right? They are contract killers, after all. The story is bound … Continue reading Anatomy of “Allan and Mac”
I‘m working on a series of short ebooks, titled Lucia and the Saints. This will be the second series to act as a spin-off from my Valentine series, and I’m certain readers are going to enjoy it. Here’s another little snippet from what I’m working on. Enjoy!
Lucia burst through the door, huffing and puffing with every step. She could hear John’s footsteps behind her, but she didn’t stop. She didn’t want to. It was always like this: the others looked at her, and saw a woman. A stupid female who didn’t belong in their world. She suddenly felt a hand on her shoulder. John had caught up to her. She paused, and he spun her around to face him. “Don’t say it,” Lucia said. “I don’t even want to hear it.”
“You need to stop acting like a freight train every time someone says something you don’t like,” John said, dropping his hand from her shoulder. “You can’t run over every person who pisses you off, Lucia.”
Her eyes grew wide with anger. “Did you hear what he said to me?!” she snapped. “He said I was just some dumb broad. A broad! Who the hell even uses that word anymore?!”
“I heard him,” John said, in a soothing tone. “What? You don’t think I get that kind of crap all the time?”
Lucia sighed, and put her hands on her hips.
“They look at me, they see some Irish hood,” John said. “A mick. Same thing I’ve been hearing most of my life. They don’t want me hanging around their sons, they definitely don’t want me to date their daughters. They think I’m some kind of joke. They laugh at me. But so what?”
Lucia seemed to be calming down, listening to his words.
“Their sons will get high off of my drugs,” John continued. “And their daughters will dance in my night clubs. Then we’ll see who’s laughing, won’t we?”
When the character of Allan Avery was first introduced in the Valentine series, he appeared in book number three, Queen of Hearts. By that time, I already had plans to introduce his sister, Mac … Continue reading Connections Between “Valentine” and “Valentine Apart”